Java Sparrow, 2017
After learning about the challenges these birds face, Claire began to see the wallpaper as a symbol of the man-made interiors these birds inhabit when we acquire them as pets. Though the birds might appear to be in harmony with their carefully curated background, it is a far cry from the environments they call home. The series reflects a long historical tradition in which nature has been transformed into objects for our own enjoyment and pleasure, for decoration and status.

Java Sparrow set against a bird wallpaper.

American Goshawk, 2021

The use of Victorian wallpaper motifs references an era when Europe unleashed colonisation across the globe and, with it, the brutal domination of faraway places, creatures and cultures. As ‘discoveries’ were displaced to Europe and the Americas, they fuelled aviary collection and display as part of an impulse to collect and catalogue the natural world.



The intersection of art and scientific study created a new genre of avian art, made mainstream by John James Audubon whose highly collectible folios brought the natural world into the home as decor.
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