Still warm from the kiln, covered in warm earth tones—I’m so relieved this piece came out successfully on the other side of firing. I worked on it over the course of a month and remembered to document moments of process which I think I’ll share in a thread.

The most important thing to know is that I consider this pot a collaboration. I coordinated the colors, but I didn’t choose them. Each clay tone was a surprise and a gift, and that’s where my excitement about this piece lies.

Me standing in my back yard holding a large pot in front of me with both hands. It borrows its spherical form from Nigerian water vessels and has a short, flared neck. It is about 16” (40cm) in diameter and 14” (36cm) in height. 

The pot has been divided laterally into six parts and each section has been decorated with carved lines in alternating patterns: a symmetrical abstract leaf motif and a large double diamond pattern. The colors are dark brick red, olive green, dark purplish brown, dusky pink and aqua. The interior is glazed glossy aqua to reference the water this form would historically have contained. 

Behind me is dense foliage and small blue patch of sky. I am smiling and wearing a black and white top and red paints, only partially visible from behind the large pot.
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