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みくでん ぽっぴっぽ
붉은사막을 샀습니다... 그리고 우선.. 후기? 초반부 후기. 그림계에선 언급하긴 했는데... 1. 우선 흥미진진은 한데 초반은.. 좀 스토리 진행이 아주 초반인데도 쫌 산만하고 진부한 느낌입니다. 클리프 자체가 좀 ..잔잔해서 그런가? 생긴건 잘생김 . 2. 퍼리달라고 했더니 곰가죽 쓴 바라퍼리상 라이벌? 을 줌. 3. 대화수위나 욕설 빈도가 높아서 놀람. 적응이 안됨.. (맨날 f-만 듣다가 구수한 K욕설..) 4. 말의 움직임이 생각보다 실망스럽진 않지만 아직 갤럽이 안되는듯 (됐으면 초반부터 생까고 말만 달렸다.)
くろでんお話しよー
どたどたどた
出かける
울산의 한 다가구주택에서 일가족 5명이 숨졌습니다. 경제적으로 매우 어려웠던 아빠가 ‘홀로 아이 넷을 키우기 힘들다’는 이유로 벌인 일이었습니다. 학교·행정복지센터·경찰에서 거듭 위기 신호가 감지됐지만 비극을 막지 못했습니다.
최소 1년 전부터 위기신호…‘울산 일가족 참변’ 못 막...
そういえば、昨日のNHKホール、バービーボーイズも出演、「四肢完全麻痺」で車椅子のコンタさん、いまみちともたかさんと喫煙所で少し話が出来た。ステージも、コンタさんの「歌いたい」という思いが詰まった、素晴らしいものだった。正直、バービーボーイズというバンドの音楽は余り知らなかったのだが、30年ほど前、ヴォーカルに男女2人がいる、というただそれだけの理由で、ソウル・フラワー・ユニオンはよく“悪意のあるバービーボーイズ”とか“悪魔版バービーボーイズ”とか言われたのであった笑笑。今後のバービーボーイズ、応援してます。
https://newsdig.tbs.co.jp/articles/-/2336527?display=1
사실 무서워... 그렇게 가서 결과가 어떻든 맞부딪혀야하는 일이니까ㅠ 그렇다고 해서 평생 회피할 수도 그럴 생각도 없으니까! 기회를 준다면 감사한 일이고 아니라면 그것도 어쩔 수 없는 일이야 기억해 김헤모! 회피에 따른 결과는 본인이 지는거야!! 계속 도망쳐다니지 않을거지? 힘내자!
붉은사막을 샀습니다... 그리고 우선.. 후기? 초반부 후기. 그림계에선 언급하긴 했는데... 1. 우선 흥미진진은 한데 초반은.. 좀 스토리 진행이 아주 초반인데도 쫌 산만하고 진부한 느낌입니다. 클리프 자체가 좀 ..잔잔해서 그런가? 생긴건 잘생김 . 2. 퍼리달라고 했더니 곰가죽 쓴 바라퍼리상 라이벌? 을 줌. 3. 대화수위나 욕설 빈도가 높아서 놀람. 적응이 안됨.. (맨날 f-만 듣다가 구수한 K욕설..) 4. 말의 움직임이 생각보다 실망스럽진 않지만 아직 갤럽이 안되는듯 (됐으면 초반부터 생까고 말만 달렸다.)
maybe apple music wins here actually, its translations feel more accurate so far
정진명의 굳이 써서 남기는 생각 @jm@guji.jjme.me
이 블로그의 굳이 써서 남기는 생각 조각 파트는 개인 위키와 같은 운용을 염두에 두고 만들어졌다. 글 파트가 좀 더 하루하루의 기록에 가깝다면, 조각 파트는 그것을 통시적으로 잇거나, 글 파트에 분류해 올리기에는 조금 종류가 다른 평소의 생각하는 바를 정리하는 데 쓰는 것이다.
인터위키는 위키의 문법 중 하나로, 다른 위키의 문서로 하이퍼링크를 이을 때 위키 내부에서 연결하는 것과 비슷한 문법을 쓸 수 있게 만드는 것이다. 예를 들자면 https://ko.wikipedia.org/wiki/%EC%9D%B8%ED%84%B0%EC%9C%84%ED%82%A4 라고 입력해서 다른 위키의 항목을 링크하는 것이 아니라, [[위백>인터위키]] 처럼 입력하는 셈이다.
월드 와이드 웹의 근간은 결국 하이퍼링크다. 개별 문서를 연결하는 하이퍼링크가 그 개별 문서들의 묶음을 가치있는 것으로 만든다. 위키에서 시간을 오래 보내 본 적이 있는 사람이라면 표제어를 클릭해서 지식 세계의 이쪽 끝에서 반대편 끝까지 가보는 것의 가치를 알 것이다.
그래프 뷰를 만들고, 문서 하단에 제한적으로나마 백링크를 확인할 수 있는 시스템을 구축한 것은 내가 이 블로그에서 그것을 추구하고 싶기 때문이다. 그리고 그것이 내 블로그 안에서 끝나는 것이 아니라, 내가 읽었던 다른 글을 소개하는 방식으로 퍼졌으면 좋겠다. 링크와 링크를 타고 다니며 읽지 못했던 글을 읽는 것의 즐거움을, 기성의 방식과는 다른 방식으로 만들어 나가고 싶다.
그렇게 하다 보면, 어쩌면 내 블로그와 글을 내가 한 방식으로 소개하는 블로그 포스팅이 생길 지도 모른다. 그렇게 되면 나는 정말 기쁠 것이다.
@lcamtuflcamtuf 
meow!
赤旗の買春者処罰しろセックスワークは女性搾取だの記事見かけちゃったのでアムネスティの、今日はＱ＆Ａのほうのリンクを貼ってみる。
https://www.amnesty.or.jp/news/2016/0526_6062.html
共産党の主張、普段あんなに理路整然としてスマートなのに、セックスワークの話になるといろいろごちゃ混ぜで雑なんだろ。ジェンダー・セクシュアリティの視点も欠如してたし、子どもと大人の別もないし、売られているのはサービスであるという視点も失われていたし、非犯罪化という概念の存在が意識にあるかどうかも疑問なこれ文章だし。
「父権主義」と書かれていた時代からのパターナリズム全開の感。
https://www.jcp.or.jp/akahata/aik25/2026-03-17/2026031702_01_0.php
赤旗の買春者処罰しろセックスワークは女性搾取だの記事見かけちゃったのでアムネスティの、今日はＱ＆Ａのほうのリンクを貼ってみる。
https://www.amnesty.or.jp/news/2016/0526_6062.html
Claude Code: Channels
Link: https://code.claude.com/docs/en/channels
Discussion: https://news.ycombinator.com/item?id=47448524
くちびるの真上にニキビができてツライ。しかも、かさぶたになってしまったので、くちびるが動くと痛い
바비큐용 마시멜로~
붉은사막을 샀습니다... 그리고 우선.. 후기? 초반부 후기. 그림계에선 언급하긴 했는데... 1. 우선 흥미진진은 한데 초반은.. 좀 스토리 진행이 아주 초반인데도 쫌 산만하고 진부한 느낌입니다. 클리프 자체가 좀 ..잔잔해서 그런가? 생긴건 잘생김 . 2. 퍼리달라고 했더니 곰가죽 쓴 바라퍼리상 라이벌? 을 줌. 3. 대화수위나 욕설 빈도가 높아서 놀람. 적응이 안됨.. (맨날 f-만 듣다가 구수한 K욕설..) 4. 말의 움직임이 생각보다 실망스럽진 않지만 아직 갤럽이 안되는듯 (됐으면 초반부터 생까고 말만 달렸다.)
【非エンジニアのためのClaude/ClaudeCodeシリーズ 】 非エンジニアがClaude Codeで定常業務を自動化しようとして気づいたこと
https://dev.classmethod.jp/articles/claude-business-use3/
도망치지 않기!!!! 결과가 어떻든 자신의 책임으로 받아들이기!!!! 사실 상태가 안 좋아서 좀 힘들거같지만... 그치만! 약속을 어긴건 나니까!!!
quote :
川普被媒體問及為何美國在攻打伊朗前，未事先知會日本等盟友時表示，這是為了達到出其不意的效果，他還提及珍珠港事件，並稱「誰比日本更了解奇襲」，讓一旁的高市滿臉尷尬。
ref :
美日峰會川普引珍珠港事件開玩笑 高市早苗滿臉尷尬
https://www.cna.com.tw/news/aopl/202603200008.aspx
How the Turner twins are mythbusting modern technical apparel
Link: https://www.carryology.com/insights/how-the-turner-twins-are-mythbusting-modern-gear/
Discussion: https://news.ycombinator.com/item?id=47416972
이번주는 코막힘과 함께하는 주간에 가까워...제발 그만해~~~!!!
New, breaking: Feds Disrupt IoT Botnets Behind Huge DDoS Attacks
The U.S. Justice Department joined authorities in Canada and Germany in dismantling the online infrastructure behind four highly disruptive botnets that compromised more than three million Internet of Things (IoT) devices, such as routers and web cameras. The feds say the four botnets — named Aisuru, Kimwolf, JackSkid and Mossad — are responsible for a series of recent record-smashing distributed denial-of-service (DDoS) attacks capable of knocking nearly any target offline.
No word yet on which botmasters got a visit from feds, but the DOJ statement references law enforcement actions against against botmasters in Canada and Germany. Last month, I reported on a likely identity behind Dort, the main individual behind the Kimwolf botnet. The other suspect was a 15 y/o from Germany.
https://krebsonsecurity.com/2026/03/feds-disrupt-iot-botnets-behind-huge-ddos-attacks/
Cuba’s power struggle: Blackouts plague Havana as fuel crisis deepens
Cuba's national electric grid collapsed on Monday, leaving around 10 million people without power amid a U.S.-imposed oil blockade that has crippled the island's already obsolete generation system.
Protest the Buddhist way
#Seoul, South Korea
Buddhist monks march towards the US embassy to protest against Donald Trump asking for countries to send warships to reopen the strait of Hormuz.
Photograph: Ahn Young-joon/AP
#Kabul, #Afghanistan
The site of a Pakistani missile strike that hit a hospital.
Photograph: Siddiqullah Alizai/AP
Nairobi, #Kenya
A court worker shows an exhibit of smuggled garden ants at the trial of two people charged with wildlife trafficking.
Photograph: Monicah Mwangi/Reuters
A total hoot! Beautiful birds – in pictures
From fluffy owlets to rosy-hued flamingos, Claire Rosen’s portraits of live birds took her on a journey that touched on colonialism, wallpaper design … and chickens
A total hoot! Beautiful birds – in pictures
From fluffy owlets to rosy-hued flamingos, Claire Rosen’s portraits of live birds took her on a journey that touched on colonialism, wallpaper design … and chickens
#Budgerigars, 2015
Nature is at the centre of Claire Rosen’s creative process: ‘I was drawn to animals from a young age, their presence sparking a deep curiosity and fondness that have carried into my art.’ The series began with her own parakeet and some colourful domestic parrots. ‘I persuaded a bird shop to let me photograph its birds in a makeshift portrait studio in their lobby. One by one, I paired birds with backgrounds, aiming to complement their colours. The process was enthralling’
#Budgerigars, 2015
Nature is at the centre of Claire Rosen’s creative process: ‘I was drawn to animals from a young age, their presence sparking a deep curiosity and fondness that have carried into my art.’ The series began with her own parakeet and some colourful domestic parrots. ‘I persuaded a bird shop to let me photograph its birds in a makeshift portrait studio in their lobby. One by one, I paired birds with backgrounds, aiming to complement their colours. The process was enthralling’
Lady Amherst Pheasant, 2018
Few things have captivated the human imagination quite like our avian friends. A new book showcases 120 colour portraits of live birds, photographed on location against opulent backgrounds. Highlighting the individuality of each bird, these images reveal personalities as vivid as their plumage.
Lady Amherst Pheasant, 2018
Few things have captivated the human imagination quite like our avian friends. A new book showcases 120 colour portraits of live birds, photographed on location against opulent backgrounds. Highlighting the individuality of each bird, these images reveal personalities as vivid as their plumage.
Hyacinth Macaw, 2012
Parrots are intelligent animals that need proper care and companionship or their mental state deteriorates. Sadly, many birds are surrendered to shelters when their owners become unable or unwilling to care for them.
Hyacinth Macaw, 2012
Parrots are intelligent animals that need proper care and companionship or their mental state deteriorates. Sadly, many birds are surrendered to shelters when their owners become unable or unwilling to care for them.
Java Sparrow, 2017
After learning about the challenges these birds face, Claire began to see the wallpaper as a symbol of the man-made interiors these birds inhabit when we acquire them as pets. Though the birds might appear to be in harmony with their carefully curated background, it is a far cry from the environments they call home. The series reflects a long historical tradition in which nature has been transformed into objects for our own enjoyment and pleasure, for decoration and status.
Java Sparrow, 2017
After learning about the challenges these birds face, Claire began to see the wallpaper as a symbol of the man-made interiors these birds inhabit when we acquire them as pets. Though the birds might appear to be in harmony with their carefully curated background, it is a far cry from the environments they call home. The series reflects a long historical tradition in which nature has been transformed into objects for our own enjoyment and pleasure, for decoration and status.
American Goshawk, 2021
The use of Victorian wallpaper motifs references an era when Europe unleashed colonisation across the globe and, with it, the brutal domination of faraway places, creatures and cultures. As ‘discoveries’ were displaced to Europe and the Americas, they fuelled aviary collection and display as part of an impulse to collect and catalogue the natural world.
American Goshawk, 2021
The use of Victorian wallpaper motifs references an era when Europe unleashed colonisation across the globe and, with it, the brutal domination of faraway places, creatures and cultures. As ‘discoveries’ were displaced to Europe and the Americas, they fuelled aviary collection and display as part of an impulse to collect and catalogue the natural world.
Galah Cockatoo, 2012
Though his name is synonymous with bird conservation today, Audubon himself was responsible for the deaths of thousands of birds – all sacrificed in the name of art and knowledge. There were voices that advocated a different way of being with and representing birds.
Galah Cockatoo, 2012
Though his name is synonymous with bird conservation today, Audubon himself was responsible for the deaths of thousands of birds – all sacrificed in the name of art and knowledge. There were voices that advocated a different way of being with and representing birds.
Greater Flamingo, 2017
The series expanded as Rosen encountered different birds all over the world. ‘In Dubai, I was introduced to the fascinating world of falconry. In South Africa, I was captivated by owls at a rescue centre. In Jordan, I marvelled at fancy pigeons, pheasants and a dazzling white peacock. Florida brought me beautifully hued but indifferent flamingos, and a Pennsylvania falconer provided an elusive goshawk and a pair of the fluffiest wide-eyed owlets.
Greater Flamingo, 2017
The series expanded as Rosen encountered different birds all over the world. ‘In Dubai, I was introduced to the fascinating world of falconry. In South Africa, I was captivated by owls at a rescue centre. In Jordan, I marvelled at fancy pigeons, pheasants and a dazzling white peacock. Florida brought me beautifully hued but indifferent flamingos, and a Pennsylvania falconer provided an elusive goshawk and a pair of the fluffiest wide-eyed owlets.
Lanner Falcon, 2021
‘Each encounter reaffirmed the thrill of connecting with animals through my art. Whether capturing the elegance of a falcon or the playful antics of a backyard duck, I feel fortunate to share time with these creatures, allowing their natural behaviour to inspire and guide my work’
Lanner Falcon, 2021
‘Each encounter reaffirmed the thrill of connecting with animals through my art. Whether capturing the elegance of a falcon or the playful antics of a backyard duck, I feel fortunate to share time with these creatures, allowing their natural behaviour to inspire and guide my work’
African Penguin, 2021
‘I’ve come to think of the process as a collaboration, with both parties contributing their own special magic unlocked by mutual trust. These images are an invitation to explore the interior lives of these exquisite creatures, and how they fit into our own pursuit of home, happiness and diversion’
African Penguin, 2021
‘I’ve come to think of the process as a collaboration, with both parties contributing their own special magic unlocked by mutual trust. These images are an invitation to explore the interior lives of these exquisite creatures, and how they fit into our own pursuit of home, happiness and diversion’
English Pouter Pigeon, 2018
Nature is the original and enduring muse.This interplay of subject and setting invites reflection on themes of beauty, domestication and the human impulse to collect and classify the natural world.
English Pouter Pigeon, 2018
Nature is the original and enduring muse.This interplay of subject and setting invites reflection on themes of beauty, domestication and the human impulse to collect and classify the natural world.
Blue Americanus Chicken, 2019
Understanding the impact of our modern world on these creatures is the motivation that drives this work. All of these species are impacted by human society, whether inadequate care in captivity, habitat loss, light pollution, illegal trapping, chemical and plastic pollution, animal testing, or the brutality of factory farming.
Blue Americanus Chicken, 2019
Understanding the impact of our modern world on these creatures is the motivation that drives this work. All of these species are impacted by human society, whether inadequate care in captivity, habitat loss, light pollution, illegal trapping, chemical and plastic pollution, animal testing, or the brutality of factory farming.
Duck, 2020
‘I have seen the deep connection and care that we can have for non-human creatures and how our empathy can extend to the most unusual of animals. But modern society has made it incredibly difficult to avoid doing harm to creatures that we would never wish to hurt. I hope my photographs can be part of the conversation about how we can preserve, protect and restore our natural environment and its inhabitants.
i really don’t know what this part means, it’s a sudden shift from the rest of the song which has very down to earth lyrics. i kind of read it as “geee too bad i’m stuck in samsara” but i’m not completely sure
ANNE ZAHALKA CUTS UP AUSTRALIAN HISTORY is the title of my latest podcast on YouTube.
Listen to it (or watch it) here:
https://youtu.be/cUmUqDeKOXw
Please subscribe, like, comment.
SPARTANS IN SPEEDOS & THE STAGED BEACH - my latest podcast on YouTube, a deep dive into art history, comparing the work of Charles Meere, Max Dupain and Frederick McCubbin with that of Anne Zahalka.
You can listen to it (and watch) here:
Please subscribe, like, comment.
#AnneZahalka #art #ArtHistory #Australia #beach #Bondi #identity #satire #CharlesMeere #MaxDupain #FrederickMcCubbin
SparklingOutlaw🍉
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