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네이쳐에서 트럼프 정권 1년 동안 미국 학계가 얼마나 위축되었는지 인포그래픽 공개. 연구기관에서 25000명이 해고 되었고 앞으로도 46조원의 예산 삭감 계획
www.nature.com/immersive/d4...
US science after a year of Tru...
Zahalkaworld: an artist’s archive – in pictures
The Artist (self portrait) 1988 from the series Resemblance II
Through her work, Anne Zahalka offers a critical analysis of cultural and environmental tensions, often using humour and playfulness as a tool for examination. Zahalka employs photography, painting and photomontage combined with darkroom techniques, later adopting digital methodologies.
Zahalkaworld: an artist’s archive – in pictures
The Artist (self portrait) 1988 from the series Resemblance II
Through her work, Anne Zahalka offers a critical analysis of cultural and environmental tensions, often using humour and playfulness as a tool for examination. Zahalka employs photography, painting and photomontage combined with darkroom techniques, later adopting digital methodologies.
The breakaway 1985 from the series The Landscape Re-presented
Zahalka’s art has consistently focused on dismantling conventional or historical scenes and re-framing them to examine alternative narratives. She offers a critical reflection on significant issues such as cultural diversity within the Australian context.
The breakaway 1985 from the series The Landscape Re-presented
Zahalka’s art has consistently focused on dismantling conventional or historical scenes and re-framing them to examine alternative narratives. She offers a critical reflection on significant issues such as cultural diversity within the Australian context.
You are on Bondi Bidjigal land! 2020 from the series You are here!
‘Anne Zahalka’s photographs have become iconic and represent key moments in Australia’s history. Her practice has persistently challenged and questioned the status quo for more than 40 years, which has included interrogating Australia’s national and cultural identity, addressing pressing issues such as the climate emergency’ – Anouska Phizacklea, director and curator of Zahalkaworld.
You are on Bondi Bidjigal land! 2020 from the series You are here!
‘Anne Zahalka’s photographs have become iconic and represent key moments in Australia’s history. Her practice has persistently challenged and questioned the status quo for more than 40 years, which has included interrogating Australia’s national and cultural identity, addressing pressing issues such as the climate emergency’ – Anouska Phizacklea, director and curator of Zahalkaworld.
The Immigrants #2 1983 from the series The Landscape Re-presented
The Immigrants reworks a reproduction of Frederick McCubbin’s The Pioneer (1904) by collaging photos of herself and her family – post-WWII refugees – over the original Australian pioneer figures. This intervention questions her family’s place within the then predominantly Anglo-Celtic demographic and implants her family’s immigrant story on to the Australian landscape.
The Immigrants #2 1983 from the series The Landscape Re-presented
The Immigrants reworks a reproduction of Frederick McCubbin’s The Pioneer (1904) by collaging photos of herself and her family – post-WWII refugees – over the original Australian pioneer figures. This intervention questions her family’s place within the then predominantly Anglo-Celtic demographic and implants her family’s immigrant story on to the Australian landscape.
The Cleaner (Maryanne Redpath/performance artist) 1987 from the series Resemblance
This work re-stages scenes from famous Renaissance and baroque paintings as contemporary images. Zahalka updates the classic compositions in this series with modern items; for instance, the sitter wears headphones and a Walkman.
The Cleaner (Maryanne Redpath/performance artist) 1987 from the series Resemblance
This work re-stages scenes from famous Renaissance and baroque paintings as contemporary images. Zahalka updates the classic compositions in this series with modern items; for instance, the sitter wears headphones and a Walkman.
The Sunbather #1 1989 from the series Bondi: playground of the Pacific
In the 1980s Zahalka found herself living and making work in Bondi. Her depictions of Bondi’s visitors are a mix of warmth and amusement, yet they carry a satirical edge. In this image, a young woman in a black bikini shuts out the world and glaring sun to focus intently on a novel by Proust.
The Sunbather #1 1989 from the series Bondi: playground of the Pacific
In the 1980s Zahalka found herself living and making work in Bondi. Her depictions of Bondi’s visitors are a mix of warmth and amusement, yet they carry a satirical edge. In this image, a young woman in a black bikini shuts out the world and glaring sun to focus intently on a novel by Proust.
Australians circa 1989
The Bathers 1989 from the series Bondi: playground of the Pacific
One of her most celebrated works, The Bathers focuses on Bondi and pays direct homage to Charles Meere’s 1940 painting Australian Beach Pattern. This iteration playfully updates the original image featuring postwar migrant families who assert their right to the essential Australian pleasures of the sun, surf and sand.
Australians circa 1989
The Bathers 1989 from the series Bondi: playground of the Pacific
One of her most celebrated works, The Bathers focuses on Bondi and pays direct homage to Charles Meere’s 1940 painting Australian Beach Pattern. This iteration playfully updates the original image featuring postwar migrant families who assert their right to the essential Australian pleasures of the sun, surf and sand.
The Sunbather #2 1989 from the series Bondi: playground of the Pacific
Zahalka reframes the beach aesthetic of preceding eras. The deeply tanned figure celebrated by Max Dupain, for example, is replaced by her own sunbather – a redhead with a fair complexion.
The Sunbather #2 1989 from the series Bondi: playground of the Pacific
Zahalka reframes the beach aesthetic of preceding eras. The deeply tanned figure celebrated by Max Dupain, for example, is replaced by her own sunbather – a redhead with a fair complexion.
Exotic birds 2017 from the series Wild Life 2006–17
The series Wild Life recasts early Australian natural history dioramas as a means to address difficult ethical and environmental concerns.
Photograph: Anne Zahalka
Exotic birds 2017 from the series Wild Life 2006–17
The series Wild Life recasts early Australian natural history dioramas as a means to address difficult ethical and environmental concerns.
Photograph: Anne Zahalka
Anne Zahalka, Newtown studio, 2023
Anne Zahalka has held more than 40 solo exhibitions and her work has been curated into over 140 group exhibitions across the world.
Photograph: Joy M Lai/Anne Zahalka
The Immigrants #2 1983 from the series The Landscape Re-presented
The Immigrants reworks a reproduction of Frederick McCubbin’s The Pioneer (1904) by collaging photos of herself and her family – post-WWII refugees – over the original Australian pioneer figures. This intervention questions her family’s place within the then predominantly Anglo-Celtic demographic and implants her family’s immigrant story on to the Australian landscape.
The original painting:
The Pioneer is a 1904 painting by Australian artist Frederick McCubbin. The painting is a triptych; the three panels tell a story of a free selector and his family making a life in the Australian bush. It is widely considered one of the masterpieces of Australian art.
MCP なしで Datadog を自然言語で操作できる公式 Claude Code プラグインを試してみた
https://dev.classmethod.jp/articles/datadog-api-claude-plugin/
We plan to decrease operational costs for our AI model by building custom servers that are immune to cosmic radiation, then spending trillions of dollars launching them into space. Yes, our CFO did tech themselves math using ChatGPT, why do you ask?
일본 맥날 데이트 
@kanghun2001김강훈 | 金江訓 Kim Kanghun 
@ioion93
네... 심한 병증 상태입니다. ㅠㅠ 결혼할 때 이런 상태가 아니었는데.. 일단 상황을 지켜보고 있습니다.
Pick me!
Labrador Retrieve meme
These are Labrador Retrievers. They come in a variety of colors. They are loved & treated equally no matter their color. They don't fight each other over their color differences. When it comes down to it, they are all Labs, they are all dogs.
Dear humans, do better, be better.
Be more like Labs.
"browser" source code: tangled.org/danabra.mov/...
(yes, it's that 77 line file. most of the implementation is in the render-agnostic @inlay/render it imports and in the ./primitives)
proto/src/render.tsx at main ·...
Silky Anteater (Cyclopes didactylus)
via mammalidentifier
Since its genocidal war on Gaza began in October 2023, Israel has expended vast amounts of money and manpower on levelling the Palestinian territory and destroying its institutions.
It has killed more than 72,000 people in achieving this end, including tens of thousands of children and women — with some independent researchers suggesting that the death toll is higher than 75,000.
Simon Speakman Cordall
https://www.aljazeera.com/news/2026/2/19/the-cost-of-genocide-israels-war-on-gaza-by-the-numbers
"If you sow the wind, you will reap the whirlwind."
@IngridHbnIngrid Hoeben Ⓥ 🇧🇪 But why do you need to pick up a snail only to put it back in the direction it was heading?
Also the graphic shows the snail being turned around to face the other way.
Palestinians gather amid the destruction to break their fast together during the holy month of Ramadan.
Photograph: Mohammed Saber/EPA
RE: https://mastodon.social/@appassionato/116117719582516693
I wish someone here could help her...
Courcoury, #France
Rescuers walk along a flooded street to evacuate isolated residents. France issued red alerts for flooding in three départements as the aftermath of Storm Nils caused chaos.
Photograph: Romain Perrocheau/AFP/Getty Images
Kaluga oblast, #Russia
Spectators watch a 25 metre-high construction by the Russian artist Nikolai Polissky being set ablaze during Maslenitsa, the traditional Slavic holiday marking the end of winter.
Photograph: Getty Images
RE: https://cosocial.ca/@timbray/116126973234897750
Why on earth is "investors" going crazy reported as an IBM problem?
"The market's reaction tells you everything about how vulnerable IBM's core business has become." - no, it tells me how vulnerable the financial system has become.
RE: https://mastodon.social/@appassionato/116117749703211634
Who's on top of the pyre?
A model presents a creation in Daniel del Valle’s debut collection, The Narcissist, during London fashion week.
Photograph: Isabel Infantes/Reuters
RE: https://mastodon.social/@appassionato/116117761473937369
An edit suggestion:
Replace all the flower vases with the images of women and children killed in Gaza and take a walk down a street in Tel Aviv.
Un-narcissise yourself.
よし、今日の作業はおしまい
Mejicanos, El Salvador
Children look at a mural made of plastic bottle caps by Venezuelan artist Oscar Olivares. It reinterprets the Mona Lisa with a Latin American identity and pays tribute to Salvadorian women.
Photograph: Marvin Recinos/AFP/Getty Images
The Vikings are back.
A woman pushing a pram walks past Viking re-enactors outside York Minster during the Jorvik Viking festival, York, #UK
Photograph: Danny Lawson/PA
Strumica, #Macedonia
Costumed performers in a carnival procession to mark the beginning of the Christian Orthodox Lent.
Photograph: Robert Atanasovski/AFP/Getty Images
Kuwait City, #Kuwait
Pigeons fly over buildings as the sun rises.
Photograph: AFP/Getty Images
Surabaya, #Indonesia
Jaranan dancers perform as Muslims gather in a park to wait for breaking the Ramadan fast.
Photograph: Robertus Pudyanto/Getty Images
Êtes vous anarchiste ? 
#Anarchisme #Anarchism #Anar101
2/
Winter © Paul Prim
https://www.
instagram.com/primpaul/?g=5
via pangeen
회사 윗대가리 평소 지론.
git쓰는거 그렇게 필요없다고, 변경사항을 노트에 적어두면 되고, git 쓰면 오히려 꼬일 위험만 높아진다며, 개발자들 git쓰는거 뭐라함.
그런데 이번에 뭐라하냐면
자기가 5살만 젊었으면(나랑 나이차이가 5살...) git 같은 요즘 개발자들 쓰는 최신기술을 자기도 썼을거라 함.
....git 사람들이 많이 쓰기 시작한게 2011년쯤이고, 국내에서 svn보다 많이 쓴게 2014년쯔음인데 뭔 최신기술이야.
... 미치겠네.
Simon Park
DevelopersIO 
ﾔｯﾃﾏｽ 
とるねど
🕊️
ビンマロ（コミッション受付中） 
