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GO ROB BONTA GO
“Attorney General Bonta Exposes Amazon Price Fixing Scheme Driving Up Costs for Americans, Asks Court to Immediately Halt Illegal Conduct”
メッチャ雨やなぁ
룰라 ‘새끼손가락 없는 맞춤장갑’ 받고 미소…뭉클한 디테일 의전
https://n.news.naver.com/article/028/0002793080?ntype=RANKING
디테일한 부분 챙겨주는게 영업 능력이지
1年でもそれなりに絵が変わるねというお話
미래가 내게로 온다는 말 너무 낭만적이지 않나요 미래는 언제나 나를 향해 달려오고 있는 거라고요 포기하지도 않고 지치지도 않고 언제나 꾸준하게도 말이에요
이건 사랑이라고 봐도 되지 않을까요
@gnh1201어둠사자 내가 형 글에 형 아내 되시는 분까지 실수로 멘션한 거는 내 쪽에서는 다 지웠어
キャラ藍 ミスキー
CPU:Core Ai9-9999K
OS:AiOS
Net:Ai-Fi
つよさ:
藍(あい)は、syuiloにより
開発されたMisskey用のBotで、
かつMisskeyの看板娘。
https://wiki.misskey.io/ja/aichan
회사에 이란인 직원이 있는데 이분이 멀리서 사셔서 자주 나오진 않는데 오늘 나와서 (내가 물어본건 아니고 다른 분이 물어봐서 옆에서 듣게 된것인데) 이분 가족이 이란에서 어떻게 지내는지 직접 들을 기회가 있었음; 이분 눈이 근데 퀭한것이 안타깝긴했음 예전엔 안그랬는데 흠; 이란 문제땜시 그런것인지 아닌지 알수는 없지만;; 지금 모든 나라들 대사관이 다 문을 닫아서 가족을 해외로 도피시키는것도 안된다고 하더라고 허허... 미국이 그냥 빨리 폭격해서 갈아엎는것이 낫지 않냐 그런 의견도 많다고 함 본인도 그렇게 이야기하고 답이 없다고.
요즘? 아니메 중에서는 봇치가 최고였고, 초 가구야 히메 아니메가 괜찮다던데 그거 좀 볼까 싶음.
회사에 이란인 직원이 있는데 이분이 멀리서 사셔서 자주 나오진 않는데 오늘 나와서 내가 물어본건 아니고 다른 사람들이 이분 가족이 이란에서 어떻게 지내는지 직접 들을 기회가 있었는데 ... 사람 눈이 퀭한것이 안타깝긴했음 이란 문제땜시 그런것인지 아닌지 알수는 없지만 하여간 지금 모든 나라들 대사관이 다 문을 닫아서 가족을 해외로 도피시키는것도 안된다고 하더라고 허허...
아니 이 씨발 남편이란 작자는 지 서버에 이상한 소리 올라가는 게 하루이틀도 아닌데 씨발 지랑 결혼해서 매일 섹스하는 사이한테 왜 뭘 지우라 마라 지랄이야 너 처음에 캐츠워즈 방침 안 그랬잖아, 쓰레기 새끼야 모더를 씨발 개인 휴대전화 번호 안다고 직통으로 박아 이 미친 새끼야 아오!!!!!!
BTS 콘서트에 일방적 숙박 예약 취소…앞으로는 ‘즉시 영업정지’
정부, 바가지요금 근절대책 발표
수정 2026-02-25 14:58 www.hani.co.kr/arti/economy...
hani.co.kr/arti/economy/e...
Two of the most important lessons I learned in grad school:
1) you can register anything you want as a fictitious business name and get an official looking logo and letterhead and credit card
2) if a conference rejects your paper, your business can book the next conference room over at the same hotel and hold your own workshop and present your paper anyway
なんと貧血の数値も正常値に戻ってた！！
まだこの子は、まだ生きる気力がある…！！！
RE: https://misskey.io/notes/aj543lwuex8306bq
Good morning. It's 6AM, Wednesday, 25th February. The headlines: In a lengthy State of the Union address, former President #Trump highlighted tariffs, immigration, and #healthcare. He praised his economic policies and defended his stance on tariffs. Several Democrats skipped the speech. Governor Spanberger provided the Democratic rebuttal. #BBC #News
어제 에바 팬 선배를 만나서,
저는 이제 에바에 대해서는 관심이 없고, 더 할 이야기도, 보고 싶은 내용도 없으며 뭐가 들리든 그러려니 한다,
했더니 네 놈이 어떻게 그럴 수 있어! 라는 반응을 보이셨다. 🤣😇
하지만 안노가 답을 찾고 자리 잡은 이상 에바는 끝난 거죠... 다른 사람이 재해석이든 외전이든 리부트든 만들어봤자 그건 에바 스킨일 뿐이지.; 에바가 스킨으로 써먹기에 좋은 디자인도 아니고.
앞으로 아이돌 콘서트 등 대규모 행사를 앞두고 숙박업소가 정당한 사유 없이 예약을 취소할 경우, 즉시 영업정지 처분을 받게 됩니다. 표시한 가격과 달리 바가지요금을 받는 식당이나 숙박업소 역시 경고 없이 곧장 영업정지됩니다.
아이돌 콘서트에 일방적 숙박 예약 취소…앞으로 즉시 영...
Maximum resistance to picking.
If "maximum" is about 20 seconds, I'd hate to see their less-secure locks.
@kanghun2001김강훈 | 金江訓 Kim Kanghun 
@ioion93
방첩사라던지 사이언톨로지 라던지 이런걸 계속 붙여서 망상이 심해지셨어요.
경찰한테도 얘기는 해봤는데
그냥 어디가서 다쳐서 오기 전까진 힘들다고 하시네요..
さなの爆弾
네이쳐에서 트럼프 정권 1년 동안 미국 학계가 얼마나 위축되었는지 인포그래픽 공개. 연구기관에서 25000명이 해고 되었고 앞으로도 46조원의 예산 삭감 계획
www.nature.com/immersive/d4...
US science after a year of Tru...
Zahalkaworld: an artist’s archive – in pictures
The Artist (self portrait) 1988 from the series Resemblance II
Through her work, Anne Zahalka offers a critical analysis of cultural and environmental tensions, often using humour and playfulness as a tool for examination. Zahalka employs photography, painting and photomontage combined with darkroom techniques, later adopting digital methodologies.
Zahalkaworld: an artist’s archive – in pictures
The Artist (self portrait) 1988 from the series Resemblance II
Through her work, Anne Zahalka offers a critical analysis of cultural and environmental tensions, often using humour and playfulness as a tool for examination. Zahalka employs photography, painting and photomontage combined with darkroom techniques, later adopting digital methodologies.
The breakaway 1985 from the series The Landscape Re-presented
Zahalka’s art has consistently focused on dismantling conventional or historical scenes and re-framing them to examine alternative narratives. She offers a critical reflection on significant issues such as cultural diversity within the Australian context.
The breakaway 1985 from the series The Landscape Re-presented
Zahalka’s art has consistently focused on dismantling conventional or historical scenes and re-framing them to examine alternative narratives. She offers a critical reflection on significant issues such as cultural diversity within the Australian context.
You are on Bondi Bidjigal land! 2020 from the series You are here!
‘Anne Zahalka’s photographs have become iconic and represent key moments in Australia’s history. Her practice has persistently challenged and questioned the status quo for more than 40 years, which has included interrogating Australia’s national and cultural identity, addressing pressing issues such as the climate emergency’ – Anouska Phizacklea, director and curator of Zahalkaworld.
You are on Bondi Bidjigal land! 2020 from the series You are here!
‘Anne Zahalka’s photographs have become iconic and represent key moments in Australia’s history. Her practice has persistently challenged and questioned the status quo for more than 40 years, which has included interrogating Australia’s national and cultural identity, addressing pressing issues such as the climate emergency’ – Anouska Phizacklea, director and curator of Zahalkaworld.
The Immigrants #2 1983 from the series The Landscape Re-presented
The Immigrants reworks a reproduction of Frederick McCubbin’s The Pioneer (1904) by collaging photos of herself and her family – post-WWII refugees – over the original Australian pioneer figures. This intervention questions her family’s place within the then predominantly Anglo-Celtic demographic and implants her family’s immigrant story on to the Australian landscape.
The Immigrants #2 1983 from the series The Landscape Re-presented
The Immigrants reworks a reproduction of Frederick McCubbin’s The Pioneer (1904) by collaging photos of herself and her family – post-WWII refugees – over the original Australian pioneer figures. This intervention questions her family’s place within the then predominantly Anglo-Celtic demographic and implants her family’s immigrant story on to the Australian landscape.
The Cleaner (Maryanne Redpath/performance artist) 1987 from the series Resemblance
This work re-stages scenes from famous Renaissance and baroque paintings as contemporary images. Zahalka updates the classic compositions in this series with modern items; for instance, the sitter wears headphones and a Walkman.
The Cleaner (Maryanne Redpath/performance artist) 1987 from the series Resemblance
This work re-stages scenes from famous Renaissance and baroque paintings as contemporary images. Zahalka updates the classic compositions in this series with modern items; for instance, the sitter wears headphones and a Walkman.
The Sunbather #1 1989 from the series Bondi: playground of the Pacific
In the 1980s Zahalka found herself living and making work in Bondi. Her depictions of Bondi’s visitors are a mix of warmth and amusement, yet they carry a satirical edge. In this image, a young woman in a black bikini shuts out the world and glaring sun to focus intently on a novel by Proust.
The Sunbather #1 1989 from the series Bondi: playground of the Pacific
In the 1980s Zahalka found herself living and making work in Bondi. Her depictions of Bondi’s visitors are a mix of warmth and amusement, yet they carry a satirical edge. In this image, a young woman in a black bikini shuts out the world and glaring sun to focus intently on a novel by Proust.
Australians circa 1989
The Bathers 1989 from the series Bondi: playground of the Pacific
One of her most celebrated works, The Bathers focuses on Bondi and pays direct homage to Charles Meere’s 1940 painting Australian Beach Pattern. This iteration playfully updates the original image featuring postwar migrant families who assert their right to the essential Australian pleasures of the sun, surf and sand.
Australians circa 1989
The Bathers 1989 from the series Bondi: playground of the Pacific
One of her most celebrated works, The Bathers focuses on Bondi and pays direct homage to Charles Meere’s 1940 painting Australian Beach Pattern. This iteration playfully updates the original image featuring postwar migrant families who assert their right to the essential Australian pleasures of the sun, surf and sand.
The Sunbather #2 1989 from the series Bondi: playground of the Pacific
Zahalka reframes the beach aesthetic of preceding eras. The deeply tanned figure celebrated by Max Dupain, for example, is replaced by her own sunbather – a redhead with a fair complexion.
The Sunbather #2 1989 from the series Bondi: playground of the Pacific
Zahalka reframes the beach aesthetic of preceding eras. The deeply tanned figure celebrated by Max Dupain, for example, is replaced by her own sunbather – a redhead with a fair complexion.
Exotic birds 2017 from the series Wild Life 2006–17
The series Wild Life recasts early Australian natural history dioramas as a means to address difficult ethical and environmental concerns.
Photograph: Anne Zahalka
Exotic birds 2017 from the series Wild Life 2006–17
The series Wild Life recasts early Australian natural history dioramas as a means to address difficult ethical and environmental concerns.
Photograph: Anne Zahalka
Anne Zahalka, Newtown studio, 2023
Anne Zahalka has held more than 40 solo exhibitions and her work has been curated into over 140 group exhibitions across the world.
Photograph: Joy M Lai/Anne Zahalka
The Immigrants #2 1983 from the series The Landscape Re-presented
The Immigrants reworks a reproduction of Frederick McCubbin’s The Pioneer (1904) by collaging photos of herself and her family – post-WWII refugees – over the original Australian pioneer figures. This intervention questions her family’s place within the then predominantly Anglo-Celtic demographic and implants her family’s immigrant story on to the Australian landscape.
The original painting:
The Pioneer is a 1904 painting by Australian artist Frederick McCubbin. The painting is a triptych; the three panels tell a story of a free selector and his family making a life in the Australian bush. It is widely considered one of the masterpieces of Australian art.
MCP なしで Datadog を自然言語で操作できる公式 Claude Code プラグインを試してみた
https://dev.classmethod.jp/articles/datadog-api-claude-plugin/
We plan to decrease operational costs for our AI model by building custom servers that are immune to cosmic radiation, then spending trillions of dollars launching them into space. Yes, our CFO did tech themselves math using ChatGPT, why do you ask?
일본 맥날 데이트 
@kanghun2001김강훈 | 金江訓 Kim Kanghun @ioion93
네... 심한 병증 상태입니다. ㅠㅠ 결혼할 때 이런 상태가 아니었는데.. 일단 상황을 지켜보고 있습니다.
Pick me!
Labrador Retrieve meme
These are Labrador Retrievers. They come in a variety of colors. They are loved & treated equally no matter their color. They don't fight each other over their color differences. When it comes down to it, they are all Labs, they are all dogs.
Dear humans, do better, be better.
Be more like Labs.
"browser" source code: tangled.org/danabra.mov/...
(yes, it's that 77 line file. most of the implementation is in the render-agnostic @inlay/render it imports and in the ./primitives)
proto/src/render.tsx at main ·...
Silky Anteater (Cyclopes didactylus)
via mammalidentifier
Since its genocidal war on Gaza began in October 2023, Israel has expended vast amounts of money and manpower on levelling the Palestinian territory and destroying its institutions.
It has killed more than 72,000 people in achieving this end, including tens of thousands of children and women — with some independent researchers suggesting that the death toll is higher than 75,000.
Simon Speakman Cordall
https://www.aljazeera.com/news/2026/2/19/the-cost-of-genocide-israels-war-on-gaza-by-the-numbers
"If you sow the wind, you will reap the whirlwind."
@IngridHbnIngrid Hoeben Ⓥ 🇧🇪 But why do you need to pick up a snail only to put it back in the direction it was heading?
Also the graphic shows the snail being turned around to face the other way.
Palestinians gather amid the destruction to break their fast together during the holy month of Ramadan.
Photograph: Mohammed Saber/EPA
ﾔｯﾃﾏｽ 
Simon Park
DevelopersIO 
とるねど
🕊️
